Candy Dulfer plays the Heidinga neck on her Free Wind alto saxophone.
“I am so happy with the saxophones Friso makes, but now he has outdone himself with adding a new neck to his collection! It not only makes my own sax sound even better, clearer and gives me even more dynamic power, it also makes other brand horns sound better. I tried it on my old Selmer Mark VI and the difference is just unbelievable.”
— Candy Dulfer
Candy Dulfer, Dutch TV (H neck)
Joe Lovano
Multiple GRAMMY winner saxophonist and composer Joe Lovano plays the Heidinga neck on his #85.xxx Selmer Mark VI tenor saxophone.
“I'm really digging the dynamic vibrations and dark brilliance of my new Heidinga tenor saxophone neck. Friso's attention to detail is full of love & passion.”
— Joe Lovano
Multiple GRAMMY winner saxophonist and composer Joe Lovano plays the Heidinga neck on his #85.xxx Selmer Mark VI tenor saxophone.
“I'm really digging the dynamic vibrations and dark brilliance of my new Heidinga tenor saxophone neck. Friso's attention to detail is full of love & passion.”
— Joe Lovano
GRAMMY-nominated saxophonist and composer Melissa Aldana plays the Heidinga neck on her Selmer Super Balanced Action tenor saxophone.
“When I tried the Heidinga neck, I immediately fell in love with it. I love it even more than the original SBA neck.”
— Melissa Aldana
Miguel Zenón
GRAMMY winner and MacArthur and Guggenheim Fellow Miguel Zenón plays the Heidinga neck on his #207.xxx Selmer Mark VI alto saxophone.
“The Heidinga neck is truly fantastic. Nice open sound, on point intonation and really nice vibration. I haven’t felt this comfortable with a neck for a very long time and would highly recommend these necks to anyone looking to free up their sound. Thanks Friso!!!”
— Miguel Zenón
GRAMMY winner and MacArthur and Guggenheim Fellow Miguel Zenón plays the Heidinga neck on his #207.xxx Selmer Mark VI alto saxophone.
“The Heidinga neck is truly fantastic. Nice open sound, on point intonation and really nice vibration. I haven’t felt this comfortable with a neck for a very long time and would highly recommend these necks to anyone looking to free up their sound. Thanks Friso!!!”
— Miguel Zenón
Will Vinson
GRAMMY-nominated saxophonist and composer Will Vinson plays the Heidinga neck on his Free Wind alto saxophone.
“The new Heidinga saxophone neck brings an extra sort of rich darkness to the sound, I look forward to getting stuck into this!”
— Will Vinson
GRAMMY-nominated saxophonist and composer Will Vinson plays the Heidinga neck on his Free Wind alto saxophone.
“The new Heidinga saxophone neck brings an extra sort of rich darkness to the sound, I look forward to getting stuck into this!”
— Will Vinson
Boney James
Four-time GRAMMY Award nominee and Soul Train Award winner Boney James, who recently became the first act to amass 20 No. 1s on Billboard’s Smooth Jazz Airplay chart, plays the Heidinga neck on his #71.xxx Selmer Mark VI tenor saxophone.
“I was skeptical that any new neck would improve my vintage Mark VI. But when I played Friso’s neck on my horn I went, ‘wow’. The warmth, even tone and intonation are all better. I’m really enjoying playing on it!”
— Boney James
Four-time GRAMMY Award nominee and Soul Train Award winner Boney James, who recently became the first act to amass 20 No. 1s on Billboard’s Smooth Jazz Airplay chart, plays the Heidinga neck on his #71.xxx Selmer Mark VI tenor saxophone.
“I was skeptical that any new neck would improve my vintage Mark VI. But when I played Friso’s neck on my horn I went, ‘wow’. The warmth, even tone and intonation are all better. I’m really enjoying playing on it!”
— Boney James
Will Vinson
GRAMMY-nominated saxophonist and composer Will Vinson plays the Heidinga neck on his Free Wind alto saxophone.
“The new Heidinga saxophone neck brings an extra sort of rich darkness to the sound, I look forward to getting stuck into this!”
— Will Vinson
GRAMMY-nominated saxophonist and composer Will Vinson plays the Heidinga neck on his Free Wind alto saxophone.
“The new Heidinga saxophone neck brings an extra sort of rich darkness to the sound, I look forward to getting stuck into this!”
— Will Vinson
Internationally acclaimed Italian saxophonist Max Ionata plays the Heidinga neck on his #92.xxx Selmer Mark VI tenor saxophone.
“Playing with the Heidinga saxophone neck has brought new clarity and warmth to my sound. The response, tone, and control allow me to connect deeply with the music I play.”
— Max Ionata
Boney James
Four-time GRAMMY Award nominee and Soul Train Award winner Boney James, who recently became the first act to amass 20 No. 1s on Billboard’s Smooth Jazz Airplay chart, plays the Heidinga neck on his #71.xxx Selmer Mark VI tenor saxophone.
“I was skeptical that any new neck would improve my vintage Mark VI. But when I played Friso’s neck on my horn I went, ‘wow’. The warmth, even tone and intonation are all better. I’m really enjoying playing on it!”
— Boney James
Four-time GRAMMY Award nominee and Soul Train Award winner Boney James, who recently became the first act to amass 20 No. 1s on Billboard’s Smooth Jazz Airplay chart, plays the Heidinga neck on his #71.xxx Selmer Mark VI tenor saxophone.
“I was skeptical that any new neck would improve my vintage Mark VI. But when I played Friso’s neck on my horn I went, ‘wow’. The warmth, even tone and intonation are all better. I’m really enjoying playing on it!”
— Boney James
Yuri Honing
Multi awarded saxophonist and composer Yuri Honing plays the Heidinga neck on his #39.xxx Selmer Super Balanced action and on his #121.xxx Selmer Mark VI tenor saxophone.
“In 35 years as a touring artist I have never endorsed newly made necks or saxophones - until now. This handmade neck by Friso Heidinga surpassed my expectations, preserving the unique frequencies of my Selmer SBA while adding significantly more dynamic range. As a former Mark VI player, I was relieved to discover that the ‘machine gun’ qualities of a great Mark VI now apply to my beloved SBA as well.”
— Yuri Honing
Multi awarded saxophonist and composer Yuri Honing plays the Heidinga neck on his #39.xxx Selmer Super Balanced action and on his #121.xxx Selmer Mark VI tenor saxophone.
“In 35 years as a touring artist I have never endorsed newly made necks or saxophones - until now. This handmade neck by Friso Heidinga surpassed my expectations, preserving the unique frequencies of my Selmer SBA while adding significantly more dynamic range. As a former Mark VI player, I was relieved to discover that the ‘machine gun’ qualities of a great Mark VI now apply to my beloved SBA as well.”
— Yuri Honing
Two-time GRAMMY Award and Emmy Award winner Braxton Cook plays the Heidinga neck on his Selmer Super Balanced Action alto saxophone.
“I’ve tried Friso's neck on my Selmer SBA and it really helped to open up my sound while maintaining the essence and core of my tone and sound.”
— Braxton Cook
Felicity
Internationally acclaimed saxophonist Felicity plays the Heidinga neck on her Free Wind alto saxophone.
“There is a magic behind Friso's work.”
— Felicity
Internationally acclaimed saxophonist Felicity plays the Heidinga neck on her Free Wind alto saxophone.
“There is a magic behind Friso's work.”
— Felicity
Radovan Tariška
Multi awarded saxophonist Radovan Tariška plays the Heidinga neck on his Free Wind alto saxophone.
“The Heidinga neck takes the sound of my already great Free Wind alto to another level.”
— Radovan Tariška
Multi awarded saxophonist Radovan Tariška plays the Heidinga neck on his Free Wind alto saxophone.
“The Heidinga neck takes the sound of my already great Free Wind alto to another level.”
— Radovan Tariška
Reiner Witzel
German saxofonist Reiner Witzel plays the Heidinga neck on his P.Mauriat Master97 and on his Selmer Mark VI alto saxophone.
“Friso's neck adds an amazing new tonal dimension to the saxophone in terms of timbre, focus and balance. It creates extra warmth, clarity and overtones and works great on both my P.Mauriat Master97 and my Mk6. Highly recommended!”
— Reiner Witzel
German saxofonist Reiner Witzel plays the Heidinga neck on his P.Mauriat Master97 and on his Selmer Mark VI alto saxophone.
“Friso's neck adds an amazing new tonal dimension to the saxophone in terms of timbre, focus and balance. It creates extra warmth, clarity and overtones and works great on both my P.Mauriat Master97 and my Mk6. Highly recommended!”
— Reiner Witzel
Louis van Taylor
Kool & The Gang saxophonist Louis van Taylor plays the Heidinga neck on his Trevor James Signature Custom RAW tenor saxophone.
“The neck is all I hoped for! Intonation is spot on!!!”
— Louis van Taylor
Kool & The Gang saxophonist Louis van Taylor plays the Heidinga neck on his Trevor James Signature Custom RAW tenor saxophone.
“The neck is all I hoped for! Intonation is spot on!!!”
— Louis van Taylor
Nicky Manuputty
Jakarta based Dutch saxophonist Nicky Manuputty plays the Heidinga neck on his Selmer Mark 7 alto saxophone.
“What an improvement to my sound, especially in live situations. I’ve never been this satisfied.”
— Nicky Manuputty
Jakarta based Dutch saxophonist Nicky Manuputty plays the Heidinga neck on his Selmer Mark 7 alto saxophone.
“What an improvement to my sound, especially in live situations. I’ve never been this satisfied.”
— Nicky Manuputty
Koh Mr. Saxman
Multi awarded Thai saxophonist Koh Mr. Saxman plays the Heidinga neck on his P.Mauriat alto saxophone.
“The Heidinga neck deepens my connection to the music and to my sound. It brings greater focus, projection and tone, allowing me to play with more passion.”
— Koh Mr. Saxman
Multi awarded Thai saxophonist Koh Mr. Saxman plays the Heidinga neck on his P.Mauriat alto saxophone.
“The Heidinga neck deepens my connection to the music and to my sound. It brings greater focus, projection and tone, allowing me to play with more passion.”
— Koh Mr. Saxman
Jack Prybylski
American saxophonist Jack Prybylski plays the Heidinga neck on his Ishimori Wood Stone tenor saxophone.
“The Heidinga neck is free blowing, focused and rich in harmonics - no more stuffy middle register. It allows your inner voice to shine through the instrument.”
— Jack Prybylski
American saxophonist Jack Prybylski plays the Heidinga neck on his Ishimori Wood Stone tenor saxophone.
“The Heidinga neck is free blowing, focused and rich in harmonics - no more stuffy middle register. It allows your inner voice to shine through the instrument.”
— Jack Prybylski
Tina Tandler
German saxophonist Tina Tandler (Roland Kaiser band) plays the Heidinga neck on her Free Wind alto saxophone.
“I love the warm, dark centered sound of the new Heidinga saxophone neck. The response is excellent and the intonation from the bottom up until the top tones is absolutely great!”
— Tina Tandler
German saxophonist Tina Tandler (Roland Kaiser band) plays the Heidinga neck on her Free Wind alto saxophone.
“I love the warm, dark centered sound of the new Heidinga saxophone neck. The response is excellent and the intonation from the bottom up until the top tones is absolutely great!”
— Tina Tandler
Børge-Are
Halvorsen
Norwegian saxofonist Børge-Are Halvorsen plays the Heidinga neck on his Yamaha 875EX Custom alto and tenor saxophone.
“It’s amazing how much improvement and character your neck provides. The Yamaha, a very clean and well-built horn in every way, suddenly becomes inspiring and fun. It brings life to an otherwise almost sterile (but really good) instrument.”
— Børge-Are Halvorsen
Halvorsen
Norwegian saxofonist Børge-Are Halvorsen plays the Heidinga neck on his Yamaha 875EX Custom alto and tenor saxophone.
“It’s amazing how much improvement and character your neck provides. The Yamaha, a very clean and well-built horn in every way, suddenly becomes inspiring and fun. It brings life to an otherwise almost sterile (but really good) instrument.”
— Børge-Are Halvorsen
Chris Maddock
Award-winning UK-based saxophonist Chris Maddock plays the Heidinga neck on his #79.xxx Selmer Mark VI alto saxophone.
“The H neck plays fantastically well and I really love the difference it makes to the response and tone of my Mark VI. It complements the character of the horn whilst really opening up some interesting tonal characteristics. It also feels more responsive and sonorous than the original neck. Thank you again for the neck, it's exactly what I'd hoped for!”
— Chris Maddock
Award-winning UK-based saxophonist Chris Maddock plays the Heidinga neck on his #79.xxx Selmer Mark VI alto saxophone.
“The H neck plays fantastically well and I really love the difference it makes to the response and tone of my Mark VI. It complements the character of the horn whilst really opening up some interesting tonal characteristics. It also feels more responsive and sonorous than the original neck. Thank you again for the neck, it's exactly what I'd hoped for!”
— Chris Maddock
Belgian saxophonist Vincent Mardens plays the Heidinga neck on his 1936 Selmer Balanced Action tenor saxophone.
“Friso’s neck felt like the missing piece between my mouthpiece and my 1936 Selmer Balanced Action tenor. It opened new perspectives, expanded my dynamic range and brought both power and precision to the sound. It feels almost magical - as if the irrational does exist.”
— Vincent Mardens
Brazilian saxophonist Thiago Ferté plays the Heidinga neck on his #105.xxx Selmer Mark VI tenor saxophone.
“I’m very happy with the neck. Its accuracy, ease in the high register and free-blowing response allow greater control over my sound and open new possibilities for creative exploration.”
— Thiago Ferté
Nicholas Gerlach
American saxophonist Nicholas Gerlach plays the Heidinga neck on his Selmer Super Action 80 tenor saxophone.
“The Heidinga neck instantly made my horn sound better and play easier. Air flow remains consistent throughout the entire range, with excellent intonation, even in the altissimo register. Simply put, it’s the best neck I’ve ever played.”
— Nicholas Gerlach
American saxophonist Nicholas Gerlach plays the Heidinga neck on his Selmer Super Action 80 tenor saxophone.
“The Heidinga neck instantly made my horn sound better and play easier. Air flow remains consistent throughout the entire range, with excellent intonation, even in the altissimo register. Simply put, it’s the best neck I’ve ever played.”
— Nicholas Gerlach
Derick Stadwijk
Dutch saxophonist Derick Stadwijk plays the Heidinga neck on his early Free Wind tenor saxophone prototype.
"My tenor already sounded great. I was surprised that such a substantial improvement was still possible simply by changing the neck."
— Derick Stadwijk
Dutch saxophonist Derick Stadwijk plays the Heidinga neck on his early Free Wind tenor saxophone prototype.
"My tenor already sounded great. I was surprised that such a substantial improvement was still possible simply by changing the neck."
— Derick Stadwijk
Robert Mollee
Dutch saxophonist Robert Mollee plays the Heidinga neck on his #150.xxx Selmer Mark VI tenor saxophone and on his #157.xxx Selmer Mark VI alto saxophone.
“Playing the Heidinga neck feels like a major step forward in my musical development. There is more projection and presence without having to play louder, and I have greater control over dynamics. With it, the instruments I’ve played for years suddenly bring me closer to realizing my musical ideas.”
— Robert Mollee
Dutch saxophonist Robert Mollee plays the Heidinga neck on his #150.xxx Selmer Mark VI tenor saxophone and on his #157.xxx Selmer Mark VI alto saxophone.
“Playing the Heidinga neck feels like a major step forward in my musical development. There is more projection and presence without having to play louder, and I have greater control over dynamics. With it, the instruments I’ve played for years suddenly bring me closer to realizing my musical ideas.”
— Robert Mollee
Olli Radke
German saxophonist Olli Radke plays the Heidinga neck on his #159.xxx Selmer Mark VI tenor saxophone.
“From the very first moment I was deeply impressed by the phenomenal response and flexibility across all registers. The neck gives my Mark VI a more open, radiant sound with precise intonation, allowing greater creativity and ease in playing. I can’t imagine being without it anymore.”
— Olli Radke
German saxophonist Olli Radke plays the Heidinga neck on his #159.xxx Selmer Mark VI tenor saxophone.
“From the very first moment I was deeply impressed by the phenomenal response and flexibility across all registers. The neck gives my Mark VI a more open, radiant sound with precise intonation, allowing greater creativity and ease in playing. I can’t imagine being without it anymore.”
— Olli Radke
Alain Halimi
French saxophonist Alain Halimi plays the Heidinga neck on his Selmer Balanced Action tenor saxophone.
“The original neck of my Selmer Balanced Action tenor was stolen. A new Selmer neck never restored the same pleasure and confidence, and I only played the instrument when required. When Friso’s neck arrived, it felt like meeting an old friend. Today I play easily across the full range, with a rich and focused sound, and I enjoy expressing myself again on my almost 100-year-old saxophone.”
— Alain Halimi
French saxophonist Alain Halimi plays the Heidinga neck on his Selmer Balanced Action tenor saxophone.
“The original neck of my Selmer Balanced Action tenor was stolen. A new Selmer neck never restored the same pleasure and confidence, and I only played the instrument when required. When Friso’s neck arrived, it felt like meeting an old friend. Today I play easily across the full range, with a rich and focused sound, and I enjoy expressing myself again on my almost 100-year-old saxophone.”
— Alain Halimi
Aart Heere
Dutch saxofonist Aart Heere plays the Heidinga neck on his #157.xxx Selmer Mark VI tenor saxophone.
“The Heidinga neck brought more power and core to the lower register of my Mark VI, leaning subtly toward the Super Balanced Action character without losing its identity. Intonation became more consistent across all registers, resulting in a perfectly balanced combination between player and instrument.”
— Aart Heere
Dutch saxofonist Aart Heere plays the Heidinga neck on his #157.xxx Selmer Mark VI tenor saxophone.
“The Heidinga neck brought more power and core to the lower register of my Mark VI, leaning subtly toward the Super Balanced Action character without losing its identity. Intonation became more consistent across all registers, resulting in a perfectly balanced combination between player and instrument.”
— Aart Heere
Eric Schott
German saxophonist Eric Schott plays the Heidinga neck on his Selmer Series III alto saxophone.
“I was blown away by the impact of the neck Friso made for me. The intonation is clearly improved, and the sound is rounder, richer and full of timbre. Playing now feels much smoother.”
— Eric Schott
German saxophonist Eric Schott plays the Heidinga neck on his Selmer Series III alto saxophone.
“I was blown away by the impact of the neck Friso made for me. The intonation is clearly improved, and the sound is rounder, richer and full of timbre. Playing now feels much smoother.”
— Eric Schott
Hans Wijnbergen
Dutch saxophonist Hans Wijnbergen plays the Heidinga neck on his Yamaha YTS62 tenor saxophone.
“The Heidinga neck makes my instrument broader and more direct, yet it still feels like my own voice. The sound is also more consistent throughout the entire range.”
— Hans Wijnbergen
Dutch saxophonist Hans Wijnbergen plays the Heidinga neck on his Yamaha YTS62 tenor saxophone.
“The Heidinga neck makes my instrument broader and more direct, yet it still feels like my own voice. The sound is also more consistent throughout the entire range.”
— Hans Wijnbergen
Pierre Somers
Belgian saxophonist Pierre Somers plays the Heidinga neck on his #85.xxx Selmer Mark VI tenor saxophone.
“The improvements are immense, especially in the low register where I can now effortlessly play from Db to Bb. Across the entire instrument there is less resistance and more harmonies.”
— Pierre Somers
Belgian saxophonist Pierre Somers plays the Heidinga neck on his #85.xxx Selmer Mark VI tenor saxophone.
“The improvements are immense, especially in the low register where I can now effortlessly play from Db to Bb. Across the entire instrument there is less resistance and more harmonies.”
— Pierre Somers
Tom Peereboom
Dutch saxophonist Tom Peereboom plays the Heidinga neck on his #135.xxx Selmer Mark VI tenor saxophone.
“I have always been extremely happy with my Mark VI and never thought it could play any better. With Friso’s new neck there is more projection and a bigger sound, while the warm character of my Selmer is fully preserved. The horn also feels easier to play, especially in the high register.”
— Tom Peereboom
Dutch saxophonist Tom Peereboom plays the Heidinga neck on his #135.xxx Selmer Mark VI tenor saxophone.
“I have always been extremely happy with my Mark VI and never thought it could play any better. With Friso’s new neck there is more projection and a bigger sound, while the warm character of my Selmer is fully preserved. The horn also feels easier to play, especially in the high register.”
— Tom Peereboom
Markus Link
German saxophonist Markus Link plays the Heidinga neck on his #146.xxx Selmer Mark VI alto and on his #48.xxx Selmer Super Balanced Action tenor saxophone.
“I’m not a professional musician, yet the H neck makes my daily playing much easier. On both my Selmer Mark VI alto and my Super Balanced Action tenor, the highs and lows are easier to play and the tone is fuller and warmer across the entire range.”
— Markus Link
German saxophonist Markus Link plays the Heidinga neck on his #146.xxx Selmer Mark VI alto and on his #48.xxx Selmer Super Balanced Action tenor saxophone.
“I’m not a professional musician, yet the H neck makes my daily playing much easier. On both my Selmer Mark VI alto and my Super Balanced Action tenor, the highs and lows are easier to play and the tone is fuller and warmer across the entire range.”
— Markus Link
Rainer Schechinger
German saxophonist Rainer Schechinger plays the Heidinga neck on his #49.xxx Selmer Super Balanced Action tenor saxophone.
“The Heidinga neck has changed the playability of my SBA. The sound is warmer and rounder with more volume, and the response is very free blowing. Intonation and tone are solid throughout the instrument, especially in the middle register and altissimo range, with more even notes overall.”
— Rainer Schechinger
German saxophonist Rainer Schechinger plays the Heidinga neck on his #49.xxx Selmer Super Balanced Action tenor saxophone.
“The Heidinga neck has changed the playability of my SBA. The sound is warmer and rounder with more volume, and the response is very free blowing. Intonation and tone are solid throughout the instrument, especially in the middle register and altissimo range, with more even notes overall.”
— Rainer Schechinger
Thorsten Schmidt
German saxophonist Thorsten Schmidt plays the Heidinga neck on his #127.xxx Selmer Mark VI alto saxophone.
“The silver-plated H neck plays and sounds excellent on my silver-plated Selmer Mark VI alto. It offers a richer, more complex sound at all volume levels, with a warmer feel across all registers.”
— Thorsten Schmidt
German saxophonist Thorsten Schmidt plays the Heidinga neck on his #127.xxx Selmer Mark VI alto saxophone.
“The silver-plated H neck plays and sounds excellent on my silver-plated Selmer Mark VI alto. It offers a richer, more complex sound at all volume levels, with a warmer feel across all registers.”
— Thorsten Schmidt
David Sipos
Hungarian saxophonist David Sipos plays the Heidinga neck on his #217.xxx Selmer Mark VI tenor saxophone.
“The Heidinga neck increased the vibration, sound and confidence of my playing throughout the entire range of the instrument.”
— David Sipos
Hungarian saxophonist David Sipos plays the Heidinga neck on his #217.xxx Selmer Mark VI tenor saxophone.
“The Heidinga neck increased the vibration, sound and confidence of my playing throughout the entire range of the instrument.”
— David Sipos
Francisco Javier Pascal
Spanish saxophonist Francisco Javier Pascal plays the Heidinga neck on his Selmer Mark VI tenor saxophone.
“The sound remains true to my Mark VI, yet it is richer in harmonics and more homogeneous.”
— Francisco Javier Pascal
Spanish saxophonist Francisco Javier Pascal plays the Heidinga neck on his Selmer Mark VI tenor saxophone.
“The sound remains true to my Mark VI, yet it is richer in harmonics and more homogeneous.”
— Francisco Javier Pascal
Hans Schönau
Dutch saxophonist Hans Schönau plays the Heidinga neck on his Borgani Jubilee Joe Lovano model tenor saxophone.
“I never expected a new neck could make such a difference. There is more volume and clarity, and playing requires less effort. It’s easier to create the sound I have in mind, and I feel more secure playing unamplified in large rooms.”
— Hans Schönau
Dutch saxophonist Hans Schönau plays the Heidinga neck on his Borgani Jubilee Joe Lovano model tenor saxophone.
“I never expected a new neck could make such a difference. There is more volume and clarity, and playing requires less effort. It’s easier to create the sound I have in mind, and I feel more secure playing unamplified in large rooms.”
— Hans Schönau
Joep van den Broek
Dutch saxophonist Joep van den Broek plays the Heidinga neck on his Selmer Super Action 80 alto and tenor saxophone.
“I was never much of a gearhead and was always satisfied with my Selmer Super Action 80. But with this neck it’s different. My sound becomes more open, the sax resonates better and has more balls. The tones are more even - middle D, which was always a bit dull with my old neck, is much better now.”
— Joep van den Broek
Dutch saxophonist Joep van den Broek plays the Heidinga neck on his Selmer Super Action 80 alto and tenor saxophone.
“I was never much of a gearhead and was always satisfied with my Selmer Super Action 80. But with this neck it’s different. My sound becomes more open, the sax resonates better and has more balls. The tones are more even - middle D, which was always a bit dull with my old neck, is much better now.”
— Joep van den Broek
